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Friday, March 30, 2012

The Aomori Nebuta Matsuri



The Aomori Nebuta Matsuri (青森ねぶた祭り, "Aomori Nebuta Festival" or simply "Aomori Nebuta") is a Japanese summer festival that takes place in Aomori, Aomori Prefecture, Japan. The festival attracts the most tourists of any of the country's nebuta festivals, and is counted among the three largest festivals in the Tōhoku region. It was designated an Important Intangible Folk Cultural Property in 1980.
"Nebuta" refers to the float of a brave warrior-figure which is carried through the center of the city, while dancers wearing a unique type of costume called haneto (ハネト?) dance around in time with the chant Rasserā (ラッセラー?). In the local dialect, participation in the festival is inquired using the verb haneru (ハネル?, ex. "今日もハネル?" or "Are you going to haneru today?"), which was derived from the Japanese spelling of the haneto costume and the verb haneru (跳ねる?, "bounce").

Origin and history
The most widely-known explanation is that the festival originated from the flutes and taikos future shogun Sakanoue no Tamuramaro used to attract the attention of the enemy during a battle in Mutsu Province. The Tamuramaro Shō (Tamuramaro Prize) was created around this explanation in 1962 to be awarded to the festival's best group participant (later renamed to the Nebuta Taishō). However, it is unlikely that Tamuramaro actually conducted military expeditions in what is currently Aomori Prefecture, so this explanation is considered to be a legend. The festival most likely evolved out of traditional Shinto ceremonies like Tanabata.
Another explanation involves the etymology of the word Nebuta (ねぶた?). Aterui (阿弖流為?), a general from the Tohoku region, united the Emishi people who had been chased out of their native territory and defeated Ki no Kosami's army of 50,000 at Kitakami River to advance all the way to Fuji, Shizuoka. This army battled Sakanoue no Tamuramaro's forces for over 12 years, but was ultimately defeated. Aterui was captured and taken to Osaka Prefecture, where he was granted an audience with the ruler before being beheaded. Aterui's decapitated head was shown off to the public, and his family and followers still remaining in the Tohoku region were forced to dig large holes where they were buried alive. Dirt was thrown over these graves, and those who surrendered to the Japanese forces and became slaves were instructed to stomp over the dirt. This event is said to be the origin of Nebuta (written "根蓋" in kanji), as Aterui's followers were sent back to their roots or to the world of the dead () with the dirt as a covering (). According to this episode, the dancers stomp the ground while carrying the float of Sakanoue no Tamuramaro on their shoulders.
During the Edo period and Meiji period, the act of carrying a large lantern float like the Nebuta was often banned by the government due to the potential fire hazard it posed to the surroundings. This ban was also put into place during World War II, but was lifted in 1944 as an effort to boost morale during the waning years of the war. Corporations began to sponsor the creation of the floats in the post-war period, and a strong emphasis was placed in expanding local tourism through the festival. The light source within the float was originally a candle, but was eventually changed to incandescent or fluorescent light bulbs powered by portable generators and rechargeable batteries. The frame of the floats also changed from bamboo to wire, lowering the risk of fire considerably. Nebuta floats also grew larger with time, but urban obstacles such as footbridges, power lines, and traffic lights only allowed their width to increase significantly. The floats often feature images of kabuki actors, various types of gods, and historical or mythical figures from Japanese or Chinese culture, but modern Nebuta floats may also feature famous regional personalities or characters from television shows (especially Taiga drama by NHK).

Organization
A float sponsored by the JR East Railway Company.
The festival is held every year from August 2 to August 7, where the float is carried through the city during the evening from August 2-6, and during the daytime on August 7. A fireworks show is held on the evening of the final day while the float is carried into the sea.
There are three types of floats used in the Aomori Nebuta Festival. The children's nebuta and regional nebuta are sponsored by local organizations, and are usually smaller than the normal nebuta. The children's nebuta is carried twice, from August 2-3. The large nebutas are always carried at some point during the festival, but few can be seen during the first two days of the festival, perhaps due to shortages in funds.

Processional route
The float is carried through the area surrounded by National Route 4, Shinmachi Street, Kenchō Street, and Aomori Heiwa Park. In the past, the floats started off one at a time from the intersection between National Route 4 and Kenchō street, and continued along the course in the clockwise direction. However, this caused the narrow Shinmachi Street to become overcrowded with festival participants, and the floats became unable to progress during the busiest parts of the festival. The route was changed to round the area in a counter-clockwise direction in order to solve this problem. The starting point was shifted to the intersection between Shinmachi Street and Yanagimachi Street when the building housing the floats changed locations.
Despite all of these changes, the finishing point of the route continued to be overcrowded with participants, preventing the festival itself from coming to a close. Two of the main streets in Aomori City are blocked off during the Aomori Nebuta, creating significant inconveniences for citizens if the procession does not finish on time. An increased number of karasu-zoku (see below) added to this problem, as these vandals tended to gather at the tail-end of the procession to cause disruption. Therefore, in 2001, all of the floats were pre-placed around the city and began their procession all at once and ended all at once at the signal of fireworks. The route was also changed back to the clock-wise direction. This caused there to be no beginning or tail-end to the procession, allowing the procession to flow more smoothly. This method also led to a decreased number of karasu-zoku and other vandals. However, the procession is always held in its original format on the final day of the festival.

Participation
Each processional group individually organizes the basic elements of the nebuta, such as processional order, creation of floats, and marching-band musicians. Other important factors include the children who pull the floats with ropes (in most cases, the floats are carried along by other means, and the children are just there for show), and the haneto dancers. Anyone, including tourists, can participate in any of the processions as a haneto as long as they are wearing the proper costume. The costumes are sold in supermarkets and department stores all across the prefecture, and a full set (excluding the flower hat) can be purchased for around 5000 yen. Costumes can also be rented at some places along the processional route.
The best processional group is awarded the Heisei (heisei year) Nebuta Taishō (平成年ねぶた大賞?, "Heisei Nebuta Taishō," where the year number is placed after "Heisei").[1] This award was first created as the Tamuramaro Award in 1962, but was changed to its current name in 1995 because people thought it odd to have Sakanoue no Tamuramaro's name in the award (Tamuramaro is perceived as a ruthless conqueror by the Tohoku people).

Karasu-zoku issue
Karasu-zoku (カラス族?, lit. "crow gang") refers to groups of vagrant participants who try to disrupt the festival. They enter the festival wearing black costumes instead of the formal haneto costumes, leading to the nickname "crow gang" or simply, "crows." The group may also be called "crow haneto," but their appearance and actions are not fitting of the name haneto, and the regional media does not include the word in their descriptions. They are classified as a type of foot-borne bōsōzoku.
The karasu-zoku first appeared at the festival in 1986. Initially, they were not viewed as a serious problem, but their actions became more malicious as bōsōzoku members began to join their ranks. The Japanese media picked up on the group in order to raise awareness, but this tactic backfired as new gang members started to join from all around the country.
Aomori City quickly took steps to ensure the safety of their festival, as it was an important resource to the city as a popular tourist attraction. In 1996, the organizers forcefully grouped the karasu-zoku together into a single area in order to monitor their actions more effectively. However, this only led to an increased level of hysteria among the gang members and was not an effective method of containing their behavior. The gang increased their numbers to over 10,000 by 2000, and their actions escalated to violence against different gang members or even against tourists and the police force, completely destroying the initial aura of the festival.
In 2001, the organizers introduced a system where all of the floats would begin and end their procession at the same time (see Processional route). The same year, the prefecture enacted a law that allowed the police force to act against the vandals before the violence began. As a result, the festivities became more contained, but the number of crow gang members decreased drastically (though some contend that they simply moved off to other locations). However, some participants feel that the increased police surveillance has diminished the festive atmosphere.[2] Regardless, the safety of the Aomori Nebuta has improved considerably due to the efforts of the city, police force, and volunteer workers.
In recent years, some female participants enter the festival without wearing the tasuki (a white cloth strip which ties the kimono sleeves and keeps them out of the way) that is a required part of the haneto costume. These participants are called kurione-zoku (クリオネ族?, lit. "clionidae gang") because their furisode-like appearance resembles that of clionidae. Though the crow gang has decreased in number, a severe decrease in morale is still visible among the participants.

Nebuta in other cities
LA Nebuta, the final float at the 2007 Nisei Week parade[3]
The floats from the Aomori Nebuta were taken to the Hakodate ika odori festival in 2007. This was done as part of a friendship agreement between the two cities, and the ika odori led the float procession on the final day of the festival during the previous year's festival (August 7, 2006). The floats has also been invited every year to Shibuya, Tokyo, where the festival has taken place annually in September since 2005.
Other nebuta festivals take place in over 30 other villages and cities across Aomori Prefecture. The largest of these are the festivals in Hirosaki, Goshogawara, Kuroishi, and Mutsu. There are also many instances across Japan where the nebuta floats are included as part of a larger festival. The nebuta also made its way to Seoul, South Korea for the first time in September, 2005, and to the United States in August, 2007, 2009 and 2010, as part of Nisei Week in Little Tokyo, Los Angeles, California.

Friday, March 23, 2012

Tanabata




Tanabata (七夕, meaning "Evening of the seventh") is a Japanese star festival, originating from the Chinese Qixi Festival. It celebrates the meeting of the deities Orihime and Hikoboshi (represented by the stars Vega and Altair respectively). According to legend, the Milky Way separates these lovers, and they are allowed to meet only once a year on the seventh day of the seventh lunar month of the lunisolar calendar. The date of Tanabata varies by region of the country, but the first festivities begin on July 7 of the Gregorian calendar. The celebration is held at various days between July and August.
History
The festival was imported to Japan by the Empress Kōken in 755.[2] It originated from "The Festival to Plead for Skills" (乞巧奠, Kikkōden?), an alternative name for Qixi,[3]:9 which was celebrated in China and also was adopted in the Kyoto Imperial Palace from the Heian period.
The festival gained widespread popularity amongst the general public by the early Edo period,[3]:19 when it became mixed with various Obon or Bon traditions (because Bon was held on 15th of the seventh month then), and developed into the modern Tanabata festival. Popular customs relating to the festival varied by region of the country,[3]:20 but generally, girls wished for better sewing and craftsmanship, and boys wished for better handwriting by writing wishes on strips of paper. At this time, the custom was to use dew left on taro leaves to create the ink used to write wishes. Incidentally, Bon is now held on 15 August on the solar calendar, close to its original date on the lunar calendar, making Tanabata and Bon separate events.
The name Tanabata is remotely related to the Japanese reading of the Chinese characters 七夕, which used to be read as "Shichiseki". It is believed that a Shinto purification ceremony existed around the same time, in which a Shinto miko wove a special cloth on a loom called a Tanabata (棚機?) near waters and offered it to a god to pray for protection of rice crops from rain or storm and for good harvest later in autumn. Gradually this ceremony merged with Kikkōden to become Tanabata. The Chinese characters 七夕 and the Japanese reading Tanabata joined to mean the same festival, although originally they were two different things, an example of ateji.

 Story

Like Qixi and Chilseok, Tanabata was inspired by the famous Chinese folklore story, "The Princess and the Cowherd". Some versions were included in the Man'yōshū, the oldest extant collection of Japanese poetry.
The most popular version is as follows:
Orihime (織姫, Weaving Princess?), daughter of the Tentei (天帝, Sky King, or the universe itself?), wove beautiful clothes by the bank of the Amanogawa (天の川, Milky Way, lit. "heavenly river"?). Her father loved the cloth that she wove and so she worked very hard every day to weave it. However, Orihime was sad that because of her hard work she could never meet and fall in love with anyone. Concerned about his daughter, Tentei arranged for her to meet Hikoboshi (彦星, Cow Herder Star?) (also referred to as Kengyuu (牽牛?)) who lived and worked on the other side of the Amanogawa. When the two met, they fell instantly in love with each other and married shortly thereafter. However, once married, Orihime no longer would weave cloth for Tentei and Hikoboshi allowed his cows to stray all over Heaven. In anger, Tentei separated the two lovers across the Amanogawa and forbade them to meet. Orihime became despondent at the loss of her husband and asked her father to let them meet again. Tentei was moved by his daughter’s tears and allowed the two to meet on the 7th day of the 7th month if she worked hard and finished her weaving. The first time they tried to meet, however, they found that they could not cross the river because there was no bridge. Orihime cried so much that a flock of magpies came and promised to make a bridge with their wings so that she could cross the river. It is said that if it rains on Tanabata, the magpies cannot come and the two lovers must wait until another year to meet.

Names

Orihime and Hikoboshi are called various names in the different versions of the story.
Orihime
Hikoboshi
Tanabata-tsume
Me-Tanabata-sama
Asagao-hime ("Morning Glory Princess")
Ito-ori-hime ("Thread-Weaving Princess")
Momoko-hime ("Peach-Child Princess")
Takimono-hime ("Incense Princess")
Sasagani-hime ("Spider Princess")
O-Tanabata-sama
Kaiboshi
Kengyu

In fiction

The following variation of the story is known in China and Japan: A young farmer named Mikeran discovered on his farm a robe which, unbeknownst to him, belonged to a goddess named Tanabata. Soon after, Tanabata visited Mikeran and asked if he had found it. He lied and told the goddess that he hadn't but would help with her search. Eventually the pair fell in love, were wed and had many children. However, one day Tanabata noticed a piece of cloth which had once belonged to her robe on the roof of Mikeran's hut. His lie discovered, Tanabata agreed to forgive him on the condition that he weave a thousand pairs of straw shoes, but until that time, she would leave him. Mikeran was unable to weave the shoes in his lifetime and thus never met Tanabata again. However, it is said that the pair meet once a year when the stars Altair and Vega intersect.
It is said that Tanabata asked Mikeran to weave one thousand sandals and bury them under the bamboo tree and they'd surely meet again. Mikeran wove the sandals and buried them under the bamboo tree as Tanabata had asked. When the tree grew, Mikeran climbed up to find that he was one step short. In his haste, he had used one sandal fewer than necessary, causing the tree to grow one step short. Mikeran called out to Tanabata and she came and lifted him up. Mikeran's father wasn't pleased so he gave Mikeran the difficult job of watching a melon field for three days and nights without touching a single melon. Mikeran however grew very thirsty watching the melons that he touched one. The melon immediately turned into a flowing river forever separating Mikeran and Tanabata. Tanabata pleaded with her father to let her see Mikeran again. Feeling sorry for his daughter, he allows them to see each other on the 7th day of the 7th month.[8]

Customs

In present-day Japan, people generally celebrate this day by writing wishes, sometimes in the form of poetry, on tanzaku (短冊, tanzaku?), small pieces of paper, and hanging them on bamboo, sometimes with other decorations. cf (Wish Tree) The bamboo and decorations are often set afloat on a river or burned after the festival, around midnight or on the next day.[9] This resembles the custom of floating paper ships and candles on rivers during Obon. Many areas in Japan have their own Tanabata customs, which are mostly related to local Obon traditions. There is also a traditional Tanabata song:[10]
Sasa no ha sara-sara
Nokiba ni yureru
Ohoshi-sama kira-kira
Kingin sunago
Goshiki no tanzaku
watashi ga kaita
Ohoshi-sama kirakira
sora kara miteiru
Translation:
The bamboo leaves rustle,
shaking away in the eaves.
The stars twinkle
on the gold and silver grains of sand.
The five-colour paper strips
I have already written.
The stars twinkle,
they watch us from heaven.

Date

The original Tanabata date was based on the Japanese lunisolar calendar, which is about a month behind the Gregorian calendar. As a result, some festivals are held on July 7, some are held on a few days around August 7, while the others are still held on the seventh day of the seventh lunar month of the traditional Japanese lunisolar calendar, which is usually in August in the Gregorian Calendar.
The Gregorian dates of "the seventh day of the seventh lunar month of the Japanese lunisolar calendar" for the coming years are:
  • 2011-08-06
  • 2012-08-24 (The Chinese date is 2012-08-23 because of the time difference.)
  • 2013-08-13
  • 2014-08-02
  • 2015-08-20
  • 2016-08-09
  • 2017-08-28
  • 2018-08-17
  • 2019-08-07
  • 2020-08-25

Festivals

Large-scale Tanabata festivals are held in many places in Japan, mainly along shopping malls and streets, which are decorated with large, colorful streamers. The most famous Tanabata festival is held in Sendai from August 6 to August 8. In the Kantō area, the biggest Tanabata festival is held in Hiratsuka, Kanagawa for a few days around July 7. A Tanabata festival is also held in São Paulo, Brazil around the first weekend of July.
Although Tanabata festivals vary by region, most festivals involve Tanabata decoration competitions. Other events may include parades and Miss Tanabata contests. Like other Japanese matsuri, many outdoor stalls sell food, provide carnival games, etc., and add to the festive atmosphere.
Tokyo Disneyland often celebrates the Tanabata Festival featuring a greeting parade with Mickey as Altair and Minnie as Vega.[citation needed]

Sendai Tanabata Festival

The Sendai Tanabata festival began shortly after the city was founded in the early Edo Period. The Tanabata festival gradually developed and became larger over the years. Although the festival's popularity started to dwindle after the Meiji Restoration, and almost disappeared during the economic depression that occurred after World War I, volunteers in Sendai revived the festival in 1928 and established the tradition of holding the festival from August 6 to August 8.
During World War II it was impossible to hold the festival, and almost no decorations were seen in the city from 1943 to 1945, but after the war, the first major Tanabata festival in Sendai was held in 1946, and featured 52 decorations. In 1947, the Showa Emperor Hirohito visited Sendai and was greeted by 5,000 Tanabata decorations. The festival subsequently developed into one of the three major summer festivals in the Tohoku region and became a major tourist attraction. The festival now includes a fireworks show that is held on August 5.
At the Sendai Tanabata festival, people traditionally use seven different kinds of decorations, which each represent different meanings. The seven decorations and their symbolic meanings are:

The ornamental ball (くす玉; Kusudama) often decorated above streamers in present-day Tanabata decorations was originally conceived in 1946 by the owner of a shop in downtown Sendai. The ball was originally modelled after the Dahlia flower. In recent years, box-shaped ornaments have become popular alternatives to the ornamental ball.

 

 


Saturday, March 17, 2012

The Awa Dance Festival






The Awa Dance Festival (阿波踊り, Awa Odori?) is held from 12 to 15 August as part of the Obon festival in Tokushima Prefecture on Shikoku in Japan. Awa Odori is the largest dance festival in Japan, attracting over 1.3 million tourists every year.[1]
Groups of choreographed dancers and musicians known as ren () dance through the streets, typically accompanied by the shamisen lute, taiko drums, shinobue flute and the kane bell. Performers wear traditional obon dance costumes, and chant and sing as they parade through the streets.
Awa is the old feudal administration name for Tokushima prefecture, and odori means dance.
Song
http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png
Narimono players (鳴り物 Narimono?),
The song associated with Awa Odori is called Awa Yoshikono and is a localised version of the Edo period popular song Yoshikono Bushi. Parts of it are sung, and others are chanted. The origins of the melodic part have been traced to Kumamoto, Kyūshū, but the Awa version came from Ibaraki Prefecture, from where it spread back down to Nagoya and Kansai.[8] The lyrics of the first verse are:
Awa no dono sama hachisuka-kou ga ima ni nokoseshi awa odori
What Awa's Lord Hachisuka left us to the present day is Awa Odori
The song is usually sung at a point in the parade where the dancers can stop and perform a stationary dance — for example a street intersection or in front of the ticketed, amplified stands which are set up at points around the city. Not every group has a singer, but dancers and musicians will frequently break out into the Awa Yoshikono chant as they parade through the streets:
踊る阿呆に
Odoru ahou ni
The dancers are fools
見る阿呆
Miru ahou
The watchers are fools
同じ阿呆なら
Onaji ahou nara
Both are fools alike so
踊らな損、損
Odorana son, son
Why not dance?
The dancers also chant hayashi kotoba call and response patterns such as "Yattosa, yattosa", "Hayaccha yaccha", "Erai yaccha, erai yaccha", and "Yoi, yoi, yoi, yoi". These calls have no semantic meaning but help to encourage the dancers.

Awa Dance Festivals elsewhere

Kōenji, an area of Tokyo, also has an Awa Dance Festival, modelled on Tokushima's, which was started in 1956 by urban migrants from Tokushima Prefecture. It is the second largest Awa Dance Festival in Japan, with an average of 188 groups composed of 12,000 dancers, attracting 1.2 million visitors

Dance

During the daytime a restrained dance called Nagashi is performed, but at night the dancers switch to a frenzied dance called Zomeki. As suggested by the lyrics of the chance, spectators are often encouraged to join the dance.
Men and women dance in different styles. For the men’s dance: right foot and right arm forward, touch the ground with toes, then step with right foot crossing over left leg. This is then repeated with the left leg and arm. Whilst doing this, the hands draw triangles in the air with a flick of the wrists, starting at different points. Men dance in a low crouch with knees pointing outwards and arms held above the shoulders.
The women's dance uses the same basic steps, although the posture is quite different. The restrictive kimono allows only the smallest of steps forward but a crisp kick behind, and the hand gestures are more restrained and graceful, reaching up towards the sky. Women usually dance in tight formation, poised on the ends of their geta sandals.




Children and adolescents of both sexes usually dance the men's dance. In recent years, it has become more common to see adult women, especially those in their 20's, dancing the men's style of dance.
Some of the larger ren (dance groups) also have a tako odori, or kite dance. This usually involves one brightly dressed, acrobatic dancer, darting backwards and forwards, turning cartwheels and somersaults, with freestyle choreography. In some versions, other male dancers crouch down forming a sinuous line representing the string, and a man at the other end mimes controlling the kite.